Rebel Souls: Walt Whitman and America's First Bohemians (A Merloyd Lawrence Book)

Praise for Rebel Souls: Walt Whitman and America's First Bohemians (A Merloyd Lawrence Book)

"Whitman

now is a central figure in the American canon, but his Pfaff's pals are all but

forgotten. In Rebel Souls, biographer Justin Martin brings them wonderfully to

life in his enjoyable romp through the milieu. Whitman is the emotional core of

the book - Martin's passages on Whitman's romantic travails and his experiences

tending to wounded soldiers during the Civil War are unforgettably moving. But

the other members of the Pfaff's coterie almost steal the show."—BostonGlobe

"The

book is a veritable who's who of the 19th-century's movers and shakers."—CapeCod Times

"Martin's

historical scope and elegiac prose, laced through with parlance of the period,

is not only grandly entertaining to read, it rescues this bit of cultural

history and gives Whitman a more human dimension past the iconic image."—NewYork Journal of Books

"Anyone who loves history, and particularly literary history, will want to read this book."
—HudsonValley News

"Fascinating

and eye-opening."—WaterburyRepublican-American

"In

this captivating study, Martin transports the reader to the 1850s inside smoky

Pfaff's saloon-the meeting place of the US's first Bohemians...Thanks to

meticulous research, Martin was able to re-create the Bohemian scene, and

Whitman's place in it, in vivid detail. This book is a lively and entertaining

read for students of American literature, history, and culture...Summing Up:

Essential. All readers."—Choice

"[A]

well-written account of the New York Bohemians who gravitated around Pfaff's

Saloon on Broadway...A lively tale, informative and well-told."—MarkTwain Forum

"Does

a great service in shining light on the younger man who still had a lot of

hard-dues-paying years before he sauntered into legend and the ages...A valuable-and

very readable-addition to the body of critical work about America's greatest

poet."—InternetReview of Books

"Places are ever-changing, Manhattan real estate most especially. But, as Rebel Souls proves, biography can play a provocative role in preserving their mystique and also their impact."—NewBooks in Biography

"Martin

takes us into the scintillating world of Pfaff's saloon in the 19th

century...What happened in Pfaff's saloon in the 1850s is stuff of literary

legend...The Greenwich Village saloon was finally paid the homage it deserves

with the release of Rebel Souls."—NewYork Press

"[A]

compelling, insightful group biography...Vividly describes not only Pfaff's

heyday, but also how Clapp's coterie, once it was dispersed by the chaos,

duties, and opportunities brought by the Civil War, came to define an

unmistakably American species of rebel artist...Martin sets himself an ambitious

task, and rises to it in the structure and reach of his telling. In 1860, the

war scatters his protagonists, whose fates he follows for the latter two-thirds

of Rebel Souls like a literary LoJack...Martin's done a remarkable job bringing

'those times, that place' very much alive through his painstaking

research...Pfaff's rebel souls, Martin makes plain, are all around us."—LosAngeles Review of Books

"A

highly informative look at the very first attempt here in America where

novelists, poets, actors, dancers, visual artists and journalists, came

together and tried to create a society...Martin does an excellent job in Rebel

Souls, in drawing insightful portraits of some of the main characters like

Whitman, which is the heart of his book."—NeworldReview

"What

a cable TV series this would make."—BuffaloNews

"Engaging...The

idea of the artist as outsider or rebel (at least the American version of

it)-and, indeed, the thing that, a century later, would be called a

counterculture-can be traced to Clapp and Pfaff's. Martin's book is a lively

and intelligent entree into that heretofore mostly forgotten world."—ClevelandPlain Dealer

"A

vibrant and well-researched tale that shows how this first bohemian culture

seeded and nurtured an American tradition of rebel art that continues to this

day."—Queerty.com

"Martin

has blown the dust off of the New York City of the pre-Civil War era. He's

magically made both the period and the people who inhabited it relevant,

stirring and captivating with his true account of a New York City bar and its

clientele."—DecaturTribune

"[An]

entertaining cultural history...The author's solid research into the connections

of these curiously varied men and women makes this a wonderful story of one of

the world's odd little cultural cliques."—KirkusReviews, BEA & ALA BookGuide

"An

engaging history of a literary underground...Though Walt Whitman is the

best-known of the group, readers may find themselves drawn to his lesser-known

comrades...Martin's writing rises to the occasion...A worthwhile read...Introduces

armchair literary historians to a dazzling cast of eccentrics."—PublishersWeekly

"This

is popular history the way it should be, well-researched and authoritative yet

demotic in idiom and unpretentious in presentation, a darn good read."—Booklist, starred review

"Martin

brings the legendary group to life, painting a vibrant portrait of the radical

artists who frequented Pfaff's saloon...Rebel Souls is a curious beast of a book:

it is in part American history circa 1850's, part biography and, to a lesser

degree, part a critical examination of Whitman's poems...Historically accurate

and painstakingly researched...It is easy to get lost in this book: the

descriptions mixed with remarkably well retained dialogue are occasionally so

powerful that they transport the reader to their own seat in Henry Clapp's

circle...An invigorating read."—TheJournal

"Long before New York artists and writers convened regularly at the Algonquin and, later, Elaine's, an eclectic group distinguished largely by crushing poverty and creative potential gravitated to a subterranean saloon-decidedly not a salon-named Pfaff's. In Rebel Souls, Justin Martin invites readers to belly up to this forgotten basement bar...Almost every page provides an intoxicating high without the hangover."—NewYork Times

"The

story of how a subterranean New York City saloon helped alter the course of

Whitman's life."—Vox.com

"Martin

convincingly shows that although only Whitman attained literary longevity,

Manhattan's bohemians nevertheless succeeded in pioneering a mode of existence

which still reverberates today."—TimesLiterary Supplement

"[Martin]

is a fine historian and great writer...This is a wonderful book about bohemian

culture, a fascinating history that reverberates yet today. Thanks to Mr.

Martin for his painstaking research and the obvious care of his subject that

come out so nicely in his writing."—HeartsAndMindsBooks.com

"Rebel Souls illuminates an intriguing but poorly documented page in American cultural history."—SantaFe New Mexican

"A

convincing case that Walt Whitman's drinking buddies were an 1800s version of

the Beats and that all their bending elbows actually improved their work."—KansasCity Star

"[A]

biography of the man and his eclectic counter-culture, a model for artistic,

intellectual non-conformity well into the twentieth century."—CurledUp with a Good Book

"Whitman

is that iconic American poet but [Martin has] really humanized him in [his]

book."—SullivanStreet Press

"Elaine's,

the Algonquin Hotel, the White Horse and Cedar taverns: These and a few other

Manhattan establishments have become legendary as places for writers and

artists...On the evidence of Justin Martin's Rebel Souls, the long-defunct

watering hole Pfaff's deserves similar fame...[Martin] is a fluent, companionable

writer, and he manages to weave his many biographical strands into an engaging

narrative-no mean feat...The experience of reading Rebel Souls is a bit like

hovering on the sidewalk near the entrance to Pfaff's, listening to the sounds

of jollity and vehemence wash up from the basement below. Mr. Martin does a

fine job of making us feel that we're back on antebellum Broadway."—WallStreet Journal

"Martin's

sharp and elegiac prose follows the lives of the Bohemians, many who meet

tragic ends. Their stories are grandly entertaining to read, and Martin rescues

a large chunk of our cultural history."—EDGE

"It's

rare for a book to conjure the feeling of being in a bar with one's rowdiest

and most interesting friends. Rebel Souls...does just that."—TheARTery

"[A]

well-researched, sometimes breezy history of Clapp's circle."—WashingtonIndependent Review of Books

"Brightly written, and funny and heartbreaking by turns...Thomas Aldrich, a poet that was in the circle, included in his poem 'At the Cafe' the line, 'We were all very merry at Pfaff's.' Let us be grateful that Rebel Souls has brought a touch of the merriment back."—ColumbusDispatch

"Meticulously

researched and absolutely fascinating. This book featuring this quirky cast of

characters with Whitman at the center really brings the bohemian group of

American romantic artists to life."—BetsyReads Books

"Rebel

Souls is at once a recreation of New York during the mid-19th century and a

group biography of people who changed the way Americans viewed art, politics

and themselves...A muralesque portrait of a group of intentional misfits who

would, in the middle of the 19th century, help transform American literature,

theater and journalism and forever alter the way we look at ourselves and our

society."—RoanokeTimes

"Shed[s]

light on the untold story of the Pfaff's set and its ample reverberations through

the last 150 years of creative culture...Rebel Souls is an enormously absorbing

read in its entirety, exploring the blossoming of Whitman's literary legacy,

the tantalizing group of artists, writers, and performers who populated Pfaff's

and influenced one another, and how they made their way West to meet Mark

Twain's Bohemians of Silicon Valley."—BrainPickings

"Rife

with...scintillating anecdotes...This period in Whitman's development is often

skated over in biographies of the Good Gray Poet, and Martin has done us a

favor by bringing it, along with a host of other artistic connections,

amusingly and indelibly back to life."—WashingtonPost