King Henry VIII: Third Series (Arden Shakespeare Third #22) (Paperback)
$17.19
Special Order
Other Books in Series
This is book number 22 in the Arden Shakespeare Third series.
- #3: Antony and Cleopatra: Third Series (Arden Shakespeare Third #3) (Paperback): $17.48
- #4: Coriolanus (Arden Shakespeare Third #4) (Hardcover): $138.00
- #5: Double Falsehood: Third Series (Arden Shakespeare Third #5) (Paperback): $28.69
- #7: Hamlet: The Texts Of 1603 And 1623 (Arden Shakespeare Third #7) (Paperback): $18.69
- #8: King Henry IV Part 1: Third Series (Arden Shakespeare Third #8) (Paperback): $18.83
- #9: King Lear: Third Series (Arden Shakespeare Third #9) (Paperback): $17.48
- #10: King Richard II: Third Series (Arden Shakespeare Third #10) (Paperback): $18.83
- #11: King Richard III (Arden Shakespeare Third #11) (Hardcover): $138.00
- #12: King Richard III (Arden Shakespeare Third #12) (Paperback): $18.83
- #13: Romeo and Juliet: Third Series (Arden Shakespeare Third #13) (Paperback): $17.48
- #14: Shakespeare's Sonnets: Revised (Arden Shakespeare Third #14) (Paperback): $18.83
- #15: Sir Thomas More: Third Series (Arden Shakespeare Third #15) (Paperback): $25.24
- #16: The Merchant of Venice: Third Series (Arden Shakespeare Third #16) (Paperback): $18.83
- #17: The Merry Wives Of Windsor (Arden Shakespeare Third #17) (Hardcover): $150.00
- #18: Timon Of Athens (Arden Shakespeare Third #18) (Hardcover): $138.00
- #20: Twelfth Night: Third Series (Arden Shakespeare Third #20) (Paperback): $17.48
- #21: King Henry IV Part 2 (Arden Shakespeare Third #21) (Hardcover): $138.00
Description
King Henry VIII has one of the fullest theatrical histories of any play in the Shakespeare canon, yet has been consistently misrepresented, both in performance and in criticism. This edition offers a new perspective on this ironic, multi-layered, collaborative play, revealing it as a complex meditation on the progress of Reformation which sees English life since Henry VIII's day as a series of bewildering changes in national and personal allegiance and represents 'history' as the product of varied and contradictory testimony. McMullan makes a powerful claim for the rehabilitation of Henry VIII, providing the fullest performance history of any edition to date and reading the work not as a marginal 'late' Shakespeare play but as a play which is paradigmatic of the achievement of Renaissance drama as a whole. This is a staggeringly brilliant, captivating edition that will undoubtedly occasion a huge surge of critical interest in this neglected play. For those of use who have never taken Henry VIII very seriously ' perhaps dismissing it as a late collaborative play of no consequence or as conservative propaganda ' McMullan's introduction is genuinely revelatory.'Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey.
About the Author
Gordon McMullan is a professor in the Department of English at King's College London.