Pulling Focus - Filmmaker's Library
Pulling Focus Podcast, brought to you by Skyline Indie Film Fest and The Scene Snobs in Winchester, Virginia, brings you the best conversations and discussions about movies and filmmaking including new, undistributed independent films from around the corner and around the world.
Now, partnered with our favorite independent bookstore, the Winchester Book Gallery, we've compiled a list of the best filmmaking books in one collection.
The 21st-Century Screenplay is a comprehensive and highly practical screenwriting manual. An eagerly anticipated successor to the author's internationally acclaimed book Scriptwriting Updated, it covers classic to avant-garde scripts, from The African Queen and Tootsie to 21 Grams, Pulp Fiction, Memento, and Eternal Sunshine of the Spotless Mind.
Since its release in 1949, The Hero with a Thousand Faces has influenced millions of readers by combining the insights of modern psychology with Joseph Campbell's revolutionary understanding of comparative mythology. In these pages, Campbell outlines the Hero's Journey, a universal motif of adventure and transformation that runs through virtually all of the world's mythic traditions.
Hollywood’s script guru teaches you how to write a screenplay in “the ‘bible’ of screenwriting” (The New York Times)—now celebrating forty years of screenwriting success!
Now available as an ebook for the first time!
This is the only screenwriting guide by two guys who have actually done it (instead of some schmuck who just gives lectures about screenwriting at the airport Marriott); “These guys are proof that with no training and little education, ANYONE can make it as a screenwriter” (Paul Rudd).
Robert Ben Garant and Thomas Lennon’s movies have made over a billion doll
The purpose of theater, like magic, like religion . . . is to inspire cleansing awe. What makes good drama? And why does drama matter in an age that is awash in information and entertainment? David Mamet, one of our greatest living playwrights, tackles these questions with bracing directness and aphoristic authority.
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.
The Hollywood Standard describes in clear, vivid prose and hundreds of examples how to format every element of a screenplay or television script.
'My Story Can Beat Up Your Story' is the same system that industry insiders have used to generate millions of dollars in script sales and assignments. In a clear fashion, this book is a fun guide to writing stories. It covers everything from heroes to villians and theme to plot points.
Here's what started the phenomenon: the best seller, for over 15 years, that's been used by screenwriters around the world Blake Snyder tells all in this fast, funny and candid look inside the movie business.
The Screenwriter's Bible's 6th edition marks the 20th anniversary of one of the most popular, authoritative, and useful books on screenwriting. A standard by which other screenwriting books are measured, it has sold over 300,000 copies in its twenty-year life.
"If you're ready to graduate from the boy-meets-girl league of screenwriting, meet John Truby . . . [his lessons inspire] epiphanies that make you see the contours of your psyche as sharply as your script."
The idea of Into the Woods is not to supplant works by Aristotle, Lajos Egri, Robert McKee, David Mamet, or any other writers of guides for screenwriters and playwrights, but to pick up on their cues and take the reader on a historical, philosophical, scientific, and psychological journey to the heart of all storytelling.
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film.
Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy?
A masterclass on the art of directing from the Pulitzer Prize-winning (and Oscar and Tony-nominated) writer of Glengarry Glen Ross, Speed the Plow, The Verdict, and Wag the Dog
Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget.
Translated by Audie E. Bock.
Master Shots gives filmmakers the techniques they need to execute complex, original shots on any budget. By using powerful master shots and well-executed moves, directors can develop a strong style and stand out from the crowd. Most low-budget movies look low-budget, because the director is forced to compromise at the last minute.
Building on the success of the best-selling 'Master Shots', this book goes much deeper, revealing the great directors' secrets for making the most of the visual during the usual static dialogue scene.