Description
In this Cervantes Prize-winner, fiction invades autobiography--and vice versa--as Pitol writes to forestall the advancement of degenerative memory loss.
About the Author
Sergio Pitol Demeneghi is one of Mexico's most acclaimed writers, born in the city of Puebla in 1933. He studied law and philosophy in Mexico City. He is renowned for his intellectual career in both the field of literary creation and translation, and is renowned for his work in the promotion of Mexican culture abroad, which he achieved during his long service as a cultural attaché in Mexican embassies and consulates across the globe. He has lived perpetually on the run: he was a student in Rome, a translator in Beijing and Barcelona, a university professor in Xalapa and Bristol, and a diplomat in Warsaw, Budapest, Paris, Moscow and Prague. Pitol is a contemporary of the most famous authors of the Latin American "Boom," and began publishing novels, stories, criticism, and translations in the 1960s. In recognition of the importance of his entire canon of work, Pitol was awarded the two most important prizes in the Spanish language world: the Juan Rulfo Prize in 1999 (now known as the FIL Literary Award in Romance Languages), and in 2005 he won the Cervantes Prize, the most prestigious literary prize in the Spanish language world, often called the "Spanish language Nobel." Deep Vellum will publish Pitol's Trilogy of Memory in full in 2014-2015 (The Art of Flight; The Journey; The Magician of Vienna), marking the first appearance of any of Pitol's books in English. George Henson is a literary translator and assistant professor of translation at the Middlebury Institute of International Studies in Monterey. His translations include Cervantes Prize laureate Sergio Pitol's Trilogy of Memory, The Heart of the Artichoke by fellow Cervantes recipient Elena Poniatowska, and Luis Jorge Boone's Cannibal Nights. His translations have appeared variously in The Paris Review, The Literary Review, , BOMB, The Guardian, Asymptote, and Flash Fiction International. In addition, he is a contributing editor for World Literature Today and the translation editor for its sister publication Latin American Literature Today.
